Transcoding can seem a little daunting at first, but once you install the right tool you’ll be able to re-encode a7s II 4K video files to fit your needs easily. More than FCP X, the ProRes codec is also well supported by other Mac based NLEs like iMovie, Adobe Premiere Pro, and DaVinci Resolve. That’s the main reason why you need to transcode Sony a7s II 4K XAVC S to ProRes before editing in FCP X. Keep in mind that 4K XAVC S footage is CPU intensive, you will need to transcode to ProRes first for a smooth workflow if your computer is not as fast as it requires. This happens paticularly when you use a slow Mac machine, or work with Final Cut Pro X version 10.1.4 or earlier. However, users still have issues one or another in practical cases, such as incompatibility issues, choppy/laggy issues and much more. In theory, FCP X has good ability to deal with Sony a7s II 4K video. The a7s II can record 4K 4:2:0 8-bit video in XAVC S format with no pixel binning to a suitably fast memory card. Sony’s a7s II camera is a great option if 4K video is your thing. mp4 files to ProRes before editing in FCP X? Why do we need to re-encode/transcode Sony a7s II 4K XAVC S. This guide teaches you the basics of how to convert Sony a7s II 4K video to ProRes codec for FCP X editing. Because ProRes codec provides better performance during editing, faster render times, and better color quality for compositing. Transcoding camera footage to Apple ProRes codec is necessary if FCP X won’t work with your Sony a7s II 4K video smoothly.

This entry was posted in XAVC and XAVC S file conversion XAVC S and FCP workflow on by Richard

Xavc s format memory card